![]() ![]() Guidebook will heal not only her broken heart, but also her shattered Vehicle with Ian and his admittedly cute, Irish-accented friend Rowan.Īs the trio journeys over breathtaking green hills, past countlessĬastles, and through a number of fairy-tale forests, Addie hopes her Whirlwind tour of the Emerald Isle, trapped in the world's smallest So when Addie discovers an unusual guidebook, Ireland for the Heartbroken, hidden in the dusty shelves of the hotel library, she's able to finally escape her anxious mind and Ian's criticism. Leave her brother-and her problems-behind. Miserable, Addie can't wait to visit her friend in Italy and Ian, isn't about to let her forget, and his constant needling leads toĪrguments and even a fistfight between the two once inseparable Miserable and heartbroken-and threatens her future. ![]() Hoping she can stop thinking about the one thing she did that left her Is visiting Ireland for her aunt's over-the-top destination wedding and From the author of the New York Times bestselling Love & Gelato comesĪ heartwarming tale of a road trip through Ireland filled with love,Īdventure, and the true meaning behind the word family. ![]()
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![]() ![]() ![]() “I’m afraid that’s what they want,” she whispered. “I will tear the world apart to keep us together,” he said. I liked how Mason and Fennrys admitted the way they felt about each other, and how they stuck together no matter what. There was a bit of romance in this, and it was actually pretty nice. “And one way or another Fennrys Wolf… we will end this.” Not their end…” Mason pulled Fenrys toward her, looking up at him, until her nose almost touched his chin. The storyline in this was pretty good, although I have to admit to still getting a bit confused in places! I liked the action in this book though, and I liked the little twists we got, and the constant threat of death, dismemberment, and the end of the world! “And when that happens?” she asked, knowing full well the answer. ![]() “In this case… the touch of the Odin spear transforms the chosen warrior into the third Odin son, whose prophesied destiny, according to the Norns, is to lead the Einherjar out of Valhalla, alongside your two brothers.” The death god’s eyes were black, hard, and glittering as obsidian. I liked the characters in this book they stayed strong in the face of danger, and never stopped looking for a way to not only save themselves, but to save the world. This was a good end to the series, and I liked the action. And even when they do, it’s usually in all the ways you never expected they would.” (Source: I received a digital copy of this book for free on a read-to-review basis. ![]() ![]() ![]() As the fervor around the witch accusations increases, Mercy becomes trapped in the worldview of the day, unable to fight the overwhelming influence of snap judgments and superstition, and Lauren realizes that the secrets of Mercy’s story extend beyond the pages of her diary, living on in the mysterious, embittered Abigail. She takes a part-time job from 83-year-old librarian Abigail Boyles, who asks Lauren to transcribe the journal entries of her ancestor Mercy Hayworth, a victim of the Salem witch trials.Īlmost immediately, Lauren finds herself drawn to this girl who lived and died four centuries ago. 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The Guardian 'We're suckers for it!' Entertainment Weekly The second book in the international number 1 bestselling Vampire Academy series by Richelle Mead. ![]() ![]() ![]() Her heart may still belong to the very man who broke it-the one who is so desperately trying to win her back. ![]() Pesh wants nothing more than to win Emma’s heart, but she is not sure she’s able to give it. Pesh is everything Emma could ever want-successful, stable, and ready to settle down and be a husband and father. ![]() While she is touched by Aidan’s attentiveness and tender loving care, Emma is thrown for a loop by the amorous attentions of ER doctor, Alpesh “Pesh” Nadeen. Vowing to guard her heart, Emma reluctantly agrees. To prove his love and commitment for her and their unborn son, he will take a leave of absence from work to care for her around the clock. Aidan steps forward with a shocking proposal. But Aidan isn’t going down without a fight-especially not until Emma lets him reveal the secret of his past that caused him to be so commitment phobic.īut fate intervenes when premature labor forces Emma on strict bed rest for two weeks. All characters, organizations, and events portrayed in this novel are either products of the author’s imagination or are used fictitiously. ![]() Ignoring his countless texts, voice mails, and flowers, she isn’t sure she wants to be won back by him. In the weeks following Aidan’s betrayal, Emma has tried her best to move on. ![]() ![]() ![]() ![]() ![]() I had the privilege of meeting Caroline Lawrence about two years ago, and I went and bought this, the first of her books, at once, which is something I nearly always do after meeting an author. I guess serious study of the Roman triumphs will just have to wait for a while. There are 16 of these books so far, they've been made into a BBC series that's in at least its second year, and I liked this first one well enough to start the next one almost immediately. The kids are very appealing, and there is just enough real violence to keep the stakes high. There is a cliffhanger at the end of each chapter (she calls them "scrolls"), and she smuggles in quite a lot of lore about Roman life in general and the Latin language in particular. Aimed at 10-13 year olds, the series recounts the adventures of four children in 79AD, running around helping each other solve mysteries. So I immediately tried the first one, and it really was quite a treat. ![]() So I eagerly went there and found that she mentioned this excellent series by her old classmate in classics Caroline Lawrence, and highly recommended it. I noted in her bio that she has a fairly entertaining blog titled A Don's Life, to which she adds something about once a week. So I've been reading a book on Roman triumphs by one of the best classicists writing today, Mary Beard, who holds the chair in classics at Cambridge. ![]() ![]() ![]() A kidnapping that may be connected to the tragic disappearance of Digby's own sister eight years ago. Before she knows it, Digby had dragged her into a series of hilarious and dangerous situations all related to an investigation into the kidnapping of a girl from their high school. He's rude, he's smart, and he doesn't take no for an answer. ![]() When Digby first shows up on her doorstep, Zoe Webster is not impressed. Preparing to survive a typical day of being Digby's friend wasn't that different from preparing to survive the Apocalypse. ![]() ![]() ![]() This is where you get Shelley’s idea of the unacknowledged legislator, not because “the Artist” represents the guilty conscience of power, but because it represents a paradoxical consciousness: as the affirmation of that which it contradicts. Inevitably, to identify with such a role, strategically or otherwise, requires intervening in the system of expectations & meanings attached to it, in order either to produce new ones, or to sabotage “categorical being” itself. “ The Artist” is an abstract categorical being that (not who ), according to the nature of a given society, is accorded a “place,” a “function,” a “task,” all of which are no less imaginary (and paradoxical) than it is. ![]() How do these themes square with your ideas on the artist’s place in society? fakery), the burdens of history, and a deep suspicion of ideologies and institutions. Throughout The Combinations we see the recurring themes of authenticity (vs. Founding editor of VLAK Magazine, he also helms the editorial board of Rhizomes: Studies in Cultural Knowledge, and directs the Centre for Critical & Cultural Theory at Charles University, Prague. 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